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Where Memory and Illusion Take Root: Natalie Sasi Organ and Adytria Negara at ara contemporary

Situated Sustainability: Cardboard, Care, and Community in the Practice of Bumi Kardus

Cuatrodia Creative Circle: Strengthening Craftsmanship Through an Integrated Ecosystem

Unserious Series 1, Food for Thought: When Art and Food Resonate

Designing at a Crossroads: Deconstructing Value in the Industry

“The Mountain, The Moon Cave & The Sad God” Is Gorillaz’s Nostalgia and Ode to Analog Practice

Saul Bass and the Revolution of Film Title Sequences

Tracing Oototol’s Practice in “Warna Hidup” at ROH and Komunitas Salihara

No Lunch Today: EDSU house and their Refusal of the White Cube

Series

Project Review

ADOR Opens a New Chapter Through a Playful and Nostalgic Rebranding

SOLIPSISME DE DUPLICHATTE: An Introduction to the Doppelgänger of Nadine Hanisya

In Between the Lines: The Fluid Hospitality of NUSAÉ, JIRO Hotel, and SUGU Community

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Where Memory and Illusion Take Root: Natalie Sasi Organ and Adytria Negara at ara contemporary

Situated Sustainability: Cardboard, Care, and Community in the Practice of Bumi Kardus

Cuatrodia Creative Circle: Strengthening Craftsmanship Through an Integrated Ecosystem

Unserious Series 1, Food for Thought: When Art and Food Resonate

Designing at a Crossroads: Deconstructing Value in the Industry

“The Mountain, The Moon Cave & The Sad God” Is Gorillaz’s Nostalgia and Ode to Analog Practice

Saul Bass and the Revolution of Film Title Sequences

Tracing Oototol’s Practice in “Warna Hidup” at ROH and Komunitas Salihara

No Lunch Today: EDSU house and their Refusal of the White Cube

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