Articles | Grafis Masa Kini

Stage of Fragments: Chae Jimin Reconstructs the Meaning of Landscape Through Digital Logic

2 days ago

Red Means Go: HUGO’s Provocative Campaign for a New Generation

5 days ago

Traces of Art Deco Aesthetics in the Visual Work of A.M. Cassandre

9 days ago

Looking Into Matthew Johnson's Screen Time Series

12 days ago

Preserving Traces of Emotion Through “Preserved Feelings”, Joey Wong's Solo Exhibition

13 days ago

The Design of “Pertunjukan Dalam Dinamika” in Djali’s Hands

18 days ago

Silvio Gazzaniga, the Man Behind the World Cup Trophy

19 days ago

Why Unconventional Visual Horror Works So Well in This Era

23 days ago

Memory, Migration, and the Ever-Reconstructed Meaning of Home in “I will tell you when I am home”

25 days ago

The Young and the Cultured: The Visual Identity of Awan Cerah 2026 by NUSAÉ

26 days ago

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Rege Indrastudianto in Conversation with Seto Adi Witonoyo on the Evolving Role of the Creative Director

16 July 2026

Once, Twice, and a Trace That Never Finishes

15 July 2026

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