Screen &Design: Reading Film as a Constructed Language of Form

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Alessandra Langit

17 March 2026

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Screen &Design: Reading Film as a Constructed Language of Form

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About the Author

Alessandra Langit

Alessandra Langit is a writer with diverse media experience. She loves exploring the quirks of girlhood through her visual art and reposting Kafka’s diary entries at night.

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Alessandra Langit

Screen &Design: Reading Film as a Constructed Language of Form

Editor's Picks

Rubahitam: Mencipta Dimensi Lewat Konsistensi

Gusde Sidhi: Narasi Lokal dalam Ornamentasi Modern

The Economy of Taste: Young Design Studios and the Fluidities of Graphic Design

Master and Materialities: Amir Mahdi Moslehi and the Anatomy of Nastaaliq

Refining Unity: Bram Patria Yoshugi on Designing Indonesia’s 80th Independence Day Logo

Trending

“The Mountain, The Moon Cave & The Sad God” Is Gorillaz’s Nostalgia and Ode to Analog Practice

Saul Bass dan Revolusi Title Sequence dalam Film

Frutiger Aero and the Nostalgia for Early 2000s Digital Aesthetics

Alessandra Langit

Let your work shine!

Editor's Picks

Rubahitam: Mencipta Dimensi Lewat Konsistensi

Gusde Sidhi: Narasi Lokal dalam Ornamentasi Modern

The Economy of Taste: Young Design Studios and the Fluidities of Graphic Design

Master and Materialities: Amir Mahdi Moslehi and the Anatomy of Nastaaliq

Refining Unity: Bram Patria Yoshugi on Designing Indonesia’s 80th Independence Day Logo

Trending

“The Mountain, The Moon Cave & The Sad God” Is Gorillaz’s Nostalgia and Ode to Analog Practice

Saul Bass dan Revolusi Title Sequence dalam Film

Frutiger Aero and the Nostalgia for Early 2000s Digital Aesthetics

Recomended Reading

“The Mountain, The Moon Cave & The Sad God” Is Gorillaz’s Nostalgia and Ode to Analog Practice

Saul Bass dan Revolusi Title Sequence dalam Film

Tracing Oototol’s Practice in “Warna Hidup” at ROH and Komunitas Salihara

Get ahead of the game with GMK+

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